Monday, November 17, 2014

MIINOANS SHOWN BY DNA THAT THEY WERE INDIGENOUS EUROPEANS

Europe's first advanced civilization was local in origin and not imported from elsewhere, a study says. Analysis of DNA from ancient remains on the Greek island of Crete suggests the Minoans were indigenous Europeans, shedding new light on a debate over the provenance of this ancient culture.

The concept of the Minoan civilization was first developed by Sir Arthur Evans, the British archaeologist who unearthed the Bronze Age palace of Knossos on Crete. Evans named the people who built these cities after the legendary King Minos who, according to tradition, ordered the construction of a labyrinth on Crete to hold the mythical half-man, half-bull creature known as the minotaur.Evans was of the opinion that the real-life Bronze Age culture on Crete must have its origins elsewhere. And so, he suggested that the Minoans were refugees from Egypt's Nile delta, fleeing the region's conquest by a southern king some 5,000 years ago. "He was surprised to find this advanced civilization on Crete," said co-author George Stamatoyannopoulos, from the University of Washington in Seattle, US.

In this study, Prof Stamatoyannopoulos and colleagues analyzed the DNA of 37 individuals buried in a cave on the Lassithi plateau in the island's east. The majority of the burials are thought to date to the middle of the Minoan period - around 3,700 years ago. The analysis focused on mitochondrial DNA (mtDNA) extracted from the teeth of the skeletons, This type of DNA is stored in the cell's "batteries" and is passed down, more or less unchanged, from mother to child. They then compared the frequencies of distinct mtDNA lineages, known as "haplogroups", in this ancient Minoan set with similar data for 135 other populations, including ancient samples from Europe and Anatolia as well as modern peoples. The comparison seemed to rule out an origin for the Minoans in North Africa: the ancient Cretans showed little genetic similarity to Libyans, Egyptians or the Sudanese. They were also genetically distant from populations in the Arabian Peninsula, including Saudis, and Yemenis.

The ancient Minoan DNA was most similar to populations from western and northern Europe. The population showed particular genetic affinities with Bronze Age populations from Sardinia and Iberia and Neolithic samples from Scandinavia and France.They also resembled people who live on the Lassithi Plateau today, a population that has previously attracted attention from geneticists.

The authors therefore conclude that the Minoan civilisation was a local development, originated by inhabitants who probably reached the island around 9,000 years ago, in Neolithic times. "There has been all this controversy over the years. We have shown how the analysis of DNA can help archaeologists and historians put things straight," Prof Stamatoyannopoulos told BBC News.


Thursday, October 23, 2014

OLDEST GENETIC RECORD EVER OBTAINED FROM A MODERN HUMAN PROVIDES NEW CLUES TO EXPANSION OF MODERN HUMANS FROM AFRICA ABOUT 60,000 YEARS AGO AND THAT THEY INTERBRED WITH NEANDERTHALS

Scientists have reconstructed the genome of a man who lived 45,000 years ago, by far the oldest genetic record ever obtained from modern humans. The research, published on Wednesday in the journal Nature, provided new clues to the expansion of modern humans from Africa about 60,000 years ago, when they moved into Europe and Asia. And the genome, extracted from a fossil thighbone found in Siberia, added strong support to a provocative hypothesis: Early humans interbred with Neanderthals.

The discoveries were made by a team of scientists led by Svante Paabo, a geneticist at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. Over the past three decades, Dr. Paabo and his colleagues have developed tools for plucking out fragments of DNA from fossils and reading their sequences. Early on, the scientists were able only to retrieve tiny snippets of ancient genes. But gradually, they have invented better methods for joining the overlapping fragments together, assembling larger pieces of ancient genomes that have helped shed light on the evolution of humans and their relatives.

In December, they published the entirety of a Neanderthal genome extracted from a single toe bone. Comparing Neanderthal to human genomes, Dr. Paabo and his colleagues found that we share a common ancestor, which they estimated lived about 600,000 years ago. Recently, Dr. Paabo and his colleagues got an opportunity to test their new methods on an exceptional human bone.

In 2008, a fossil collector named Nikolai V. Peristov was traveling along the Irtysh River in Siberia, searching for mammoth tusks in the muddy banks. Near a settlement called Ust'-Ishim, he noticed a thighbone in the water. Mr. Peristov fished it out and brought it to scientists at the Russian Academy of Sciences. The Russian researchers identified the bone as a modern human, not a Neanderthal. To determine its age, they sent samples to the University of Oxford. Scientists there measured the breakdown of radioactive carbon and determined the bone was about 45,000 years old — making it the oldest modern human fossil ever found outside of Africa and the Near East. In 2012, Dr. Paabo and his colleagues took samples from the bone to search for DNA. To their surprise, it held a number of genetic fragments.
“This is an amazing and shocking and unique sample,” said David Reich, a geneticist at Harvard Medical School and co-author of the new study.

The researchers used the DNA fragments to create a high-resolution copy of the man’s complete genome. A Y chromosome revealed that the thighbone belonged to a man. The scientists then compared the genome of the so-called Ust'-Ishim man to those of ancient and living people. They found that his DNA was more like that of non-Africans than that of Africans. But the Ust'-Ishim man was no more closely related to ancient Europeans than he was to East Asians. He was part of an earlier lineage, the scientists concluded — a group that eventually gave rise to all non-African humans.

Homo sapiens, our own species, appeared in Africa around 200,000 years ago. Previous studies, both on genes and on fossils, have suggested that they then expanded through the Near East to the rest of the Old World. The Ust'-Ishim man’s genome suggests he belonged to a group of people who lived after the African exodus, but before the split between Europeans and Asians.

Dr. Paabo and his colleagues also found that the Ust'-Ishim man had pieces of Neanderthal DNA in his genome, just as living non-Africans do. But his Neanderthal DNA had some important differences. Fossils indicate that Neanderthals spread across Europe and Asia before becoming extinct an estimated 40,000 years ago. Today, the Neanderthal DNA in each living non-African human is broken up into short segments sprinkled throughout the genome. Dr. Paabo and his colleagues have hypothesized that this arrangement is a result of how cells divide. During the development of eggs and sperm, each pair of chromosomes swaps pieces of their DNA. Over the generations, long stretches of DNA get broken into smaller ones, like a deck of cards repeatedly shuffled.

Over thousands of generations, the Neanderthal DNA became more fragmented. Dr. Paabo and his colleagues predicted, however, that Neanderthal DNA in the Ust'-Ishim man’s genome would form longer stretches.And that’s exactly what they found. “It was very satisfying to see that,” Dr. Paabo said.

By comparing the Ust'-Ishim man’s long stretches of Neanderthal DNA with shorter stretches in living humans, Dr. Paabo and his colleagues estimated the rate at which they had fragmented. They used that information to determine how long ago Neanderthals and humans interbred. Previous studies, based only on living humans, had yielded an estimate of 37,000 to 86,000 years. Dr. Paabo and his colleagues have now narrowed down that estimate drastically: Humans and Neanderthals interbred 50,000 to 60,000 years ago, according to the new data.

The findings raised questions about research suggesting that humans in India and the Near East dated back as far as 100,000 years ago. Some scientists believe that humans expanded out of Africa in a series of waves. But Christopher Stringer, a paleoanthropologist at the Natural History Museum, said that the new study offered compelling evidence that living non-Africans descended from a group of people who moved out of Africa about 60,000 years ago. Any humans that expanded out of Africa before then probably died out, Mr. Stringer said.


SOUTHWEST ANCIENT ART MAY BE CREATED BY ARTISTS USING HALLUCINOGNIC PLANTS

Over a swath of the Chihuahuan Desert stretching from Carlsbad to Las Cruces (New Mexico), at least 24 rock art panels have been found bearing the same distinctive pictographs: repeated series of triangles painted in combinations of red, yellow, and black.

A rock art panel found at Dripping Springs, New Mexico depicts abstract triangle motifs. At this panel and others like it, potent wild tobacco was found growing beneath the image. And at each of these sites, archaeologists have noticed similarities not just on the rock, but in the ground. Hallucinogenic plants were found growing beneath the triangle designs, including a particularly potent species of wild tobacco and the potentially deadly psychedelic known as datura.

Researchers believe that the plants may be a kind of living artifact, left there nearly a thousand years ago by shamans who smoked the leaves of the plants in preparation for their painting. “I think almost certainly that they’re trancing on this stuff,” said Dr. Lawrence Loendorf, president of the archaeological firm Sacred Sites Research, of the ancient artisans.

The region that Loendorf and his colleagues have been exploring was once home to the Jornada Mogollon, a culture of foraging farmers similar to the early Ancestral Puebloans, who occupied the territory from about the 5th to the 15th centuries. Among the marks the Jornadans left on the land were sophisticated and colorful pictographs, ranging from recognizable plant, animal, and human forms to more abstract patterns. They also crafted painted pottery in signature styles of red, brown, and black, known today as El Paso phase ceramics, which vary by era and design.

Over the past three years, Loendorf and his colleagues have been studying rock art throughout the Jornadans’ range — first at Fort Bliss, then on Bureau of Land Management holdings around Carlsbad, and finally on property owned by New Mexico State University near the town of Dona Ana. The triangle motifs first showed up at about 20 sites that the team surveyed at Fort Bliss, Loendorf said. But it was during their second survey — of the lands around Carlsbad — that they noticed tobacco and datura growing under similar pictographs found there. And when their work took them farther west, to record pictographs near Dona Ana in the Rio Grande valley, the team discovered the same pattern yet again, both in the rock art itself and in the plant life around it.

All of the sites that featured the triangle motifs also turned up sherds of Jornadan pottery, he noted, found in deposits that have been radiocarbon dated to around 1000 CE. “Every one of the sites where we find the tobacco, we also find El Paso ceramics, or we find other kinds of pots … that date generally in that same range,” he said.
“Thus far I’ve not found a site with painted triangle motifs that doesn’t have tobacco growing at it. Thus far, I’ve not found one.”

NEW MUSEUM PLANNED TO PROTECT AND STUDY 3.6 MILLION YEAR OLD HOMININ FOOTPRINTS

A University of Colorado Denver researcher has been appointed to an international team of advisers dedicated to creating a museum complex in Tanzania showcasing perhaps the most important collection of hominin footprints in the world today. “This project is close to my heart,” said Associate Professor of Anthropology Charles Musiba (left), PhD. “I have always thought the site should be accessible to everyone, not just scientists.”

The roughly 70 footprints are 3.6 million years old. They were discovered in a layer of sediment in 1976 by anthropologist Mary Leakey in the Laetoli area of Tanzania. For years, scientists thought they were made by two adults and a child but now believe four individuals created them. The footprints are considered the earliest example of bipedalism among hominins.

In many ways the museum is the brainchild of Musiba, a Tanzanian-born anthropologist who has been studying the footprints since 1996 and has long championed protecting them while making the collection available to the public. Currently, the footprints are preserved by keeping them buried. “Right now the footprints are covered up and the only way to study them is to re-excavate them, which could be damaging,” he said. “We would like to excavate half of the site and build the museum over it. We can then control the ambient air, the moisture and pH levels inside to protect the prints.” The $35 million project will develop the Laetoli World Heritage Site into a state-of-the-art complex that will include a museum, research facility with labs and accommodation for 35 scientists and an education center that can host 50 students and six teachers.

The new facility is expected to be completed in about five years and will have a laboratory dedicated specifically for students and researchers from CU Denver, the premier public research university in Denver. As director of CU Denver’s Tanzania Field School, Musiba takes groups of students each year to get hands-on experience working at Laetoli and the famed Olduvai Gorge where some of the earliest remains of our ancient ancestors have been found. Last summer, he and his students discovered footprints of lions, rhinos and antelopes near those of the early hominins. They were made in about the same time period.

“The museum will feature exhibits of human origins, wildlife and geology while providing information about the current inhabitants of the region such as the Masai people,” Musiba said. “We would like to offer summer research opportunities to scientists from all over the world.” The museum site is near some of Africa’s premier tourist areas including the Ngorongoro Crater, Mount Kilimanjaro and the Serengeti. “When you go inside this museum,” Musiba said, “you will go back in time 3.6 million years and reflect on the fact that your earliest ancestors walked here.”

Wednesday, October 22, 2014

EGYPTIAN TREASURE SOLD BY BONHAMS TO THE MET MUSEUM IN NEW YORK.

The ‘Treasure of Harageh’, a collection of 4,000 year old artifacts discovered in an Egyptian tomb in 1914 has been sold by Bonhams, the international fine art auction house, to the Metropolitan Museum of Art, New York for an undisclosed sum on behalf of the St Louis Society of the Archaeological Institute of America.

Bonhams withdrew the Treasure on the day of the sale to conclude a private treaty deal between the St Louis Society and The Met. The artifacts had been estimated to sell for £80,000 to £120,000 after being consigned to auction by the St Louis Society. Madeleine Perridge, Director of Antiquities at Bonhams, commented: “We are truly delighted that this wonderful collection of ancient Egyptian artifacts is going to The Met where they will be displayed to best effect and provide academics with access. We are very pleased to have found such a satisfactory resolution ensuring that the tomb group will be kept together for posterity. Making connections at this level is part of what Bonhams offers its clients.”

A spokesperson for The St. Louis Society says: “We are very pleased with the outcome. Bonhams representation was superb. The Metropolitan Museum in New York is the best home for The Treasure. We are looking forward to seeing the objects and jewelry on exhibition.”

The Treasure was discovered by a team working under the legendary William Matthew Flinders Petrie, universally regarded as the father of modern archaeology. The team was led by Reginald Engelbach whose career in Egyptology included a term as Chief Keeper of the Egyptian Museum in Cairo. The Treasure of Harageh is an important Egyptian tomb group from Harageh, and dates from the period of the Egyptian Middle Kingdom, 12th Dynasty, probably the reign of Sesostris II, circa 1897-1878 B.C.

In October of 1913 the team began excavations at the site of Harageh, 62 miles southwest of Cairo. This site contained an extensive necropolis. The tomb is suggested to have belonged to an elite woman of elevated status, often identified as Iytenhab, on the basis of a funerary stela which may not have been part of the original entombment.

More Information: http://artdaily.com/news/73379/Bonhams-sells-4-000-year-old-Egyptian--Treasure-of-Harageh--to-the-Metropolitan-Museum#.VEgA6ptfH3s[/url]
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LIST OF ARTIFACTS AND SITES DAMAGED IN THIS SUMMER'S GAZA FIGHTING IS DUE TO BE PRESENTED TO UNESCO

Experts have begun to assess the toll this summer’s Gaza-Israeli conflict took on the region’s cultural heritage. More than 40 historic sites, including a mosque, a church and an ancient bath, were damaged or destroyed in Gaza during the 51-day war this summer, reports the Middle East news organization Al-Monitor.

The Ministry of Tourism and Antiquities in the Gaza Strip is preparing to present a full list of destroyed antiquities and ancient sites to Unesco, the Organization of Arab Culture and international human rights organizations.

The scale of the destruction may be difficult to determine because many of Gaza’s largest antiquities collections are in private hands. One collector, Jamal Abu Alian, told Al-Monitor that 70% of his collection, stored in a small private museum in al-Zanna village in the southern Gaza Strip, was destroyed during the fighting.

Around 8,000 antiquities are housed in similar private museums across the region, according to Mohammad Khalleh, the Ministry of Tourism and Antiquities’ representative in Gaza. An initiative launched by the ministry in 2010 to unite the territory’s private museums within a public umbrella facility has foundered due to lack of funding.

Meanwhile, plans for a new Palestinian Museum in the West Bank continue to move ahead. The $19m building, designed by the Dublin-based architecture firm Heneghan Peng, is due to open in 2016. Although the ceasefire set in August has held, the Israeli-Gaza conflict killed more than 2,100 Palestinians and 73 Israelis, according to the BBC.

STOP THE LOOTING OF ANTIQUITIES BY FOUNDER OF INTERNATIONAL ART THEFT INVESTIGATIONS PROGRAM

James McAndrew reporting: a former senior special agent and founder of the international art theft investigations program at the Department of Homeland Security, is a forensic specialist. I remember helping the Iraqi coalition government wrestle with archaeological site destruction and prolific looting during and after the second Gulf war. The U.S. Customs Service had special agents in Iraq while fighting was ongoing to protect and recover antiquities, as well as collect intelligence on looting and destruction.

Too much attention is given to the U.S. and Europe, countries that are not the root of the problem or fueling it. At the same time, I developed a program for the Department of Homeland Security, which sought to investigate, return and recover stolen and looted works of art and antiquity if they crossed over the U.S. border. The program was, and is, extremely successful, with more than 400 specially trained D.H.S. agents to date.

But is it enough to stop looting? I don’t think so. Our borders were never flooded with looted Iraqi antiquities during or after the war. They aren’t flooded with looted Syrian antiquities now. Sadly, many looted items remain in the Middle East or are simply destroyed. Looters do not ask for high prices for the goods they sell; they are trying to make ends meet or profit easily. Too much attention is given to what the world perceives as “market countries” (i.e. the U.S. and Europe) that are not the root of the problem, nor are they fueling it.

Other factors drive the archaeological site destruction in Syria and Iraq, like the extremist ideology against idolatry or the discourse between religions. It’s beyond comprehension to think an ISIS fighter is consumed with the thought of the potential for profit of a religious or archaeological item sold to a resident of Park Avenue. The militants have a different agenda.

The United Nations, the International Council of Museums and Interpol are more respected by foreign heads of state and cultural ministries than the U.S. and coalition forces are when it comes to this problem. The most effective way to stop looting is through international pressure led by Syria’s neighboring countries, including the use of sanctions specifically for the lack of effort in protecting the cultural infrastructure within Syria's borders. The U.S. and its allies should support any effort in an advisory role, but the crisis is on the ground, not the political sphere.

Sunday, October 19, 2014

HUGE FEMALE STATUES GUARDING MASSIVE BURIAL COMPLEX IN NORTHEASTERN MACEDONIA ARE NOW FULLY VISIBLE

The two female statues guarding the massive burial complex in Amphipolis, in Greece's northeastern Macedonia region, can now be seen in all their glory from head to toe.Pictures released by Greece's Culture Ministry on Sunday show the 7.45-foot-tall statues standing on a marble pedestal with high-soled red and yellow shoes.

Carved in high relief of Thassos marble, the imposing twin statues, known as Caryatids, stand between two marble pillars supporting a beam. They were "buried" in the ground, sandwiched between two walls, one sealing the statues off and the other closing another chamber. Wearing a long chiton -- a sleeveless garment from the Archaic period -- and earrings, the statues feature long, thick hair covering their shoulders. While the face of one Caryatid survives almost intact, the other is missing, but archaeologists have found some fragments of the face, as well as some pieces of their missing hands.

The sculptures appear to slightly lift their chitons with the corresponding hand. As for the figures's alternated raised arms, the archaeologists have interpreted them as a sign to symbolically prevent anyone attempting to enter the grave.
The distance between the two pedestals on which the Caryatids stand is 5.5ft, which is the same as the door opening at the tomb's entrance. This is guarded by two headless, wingless sphinxes.

The excavation has so far uncovered three chambers in the tomb. Earlier today, the secretary of the Ministry of Culture Lina Mendoni said there might be a fourth chamber in the mysterious burial.

http://news.discovery.com/history/archaeology/greek-tombs-female-sculptures-fully-revealed-140921.htm
More photos at:
http://news.discovery.com/history/archaeology/female-sculptures-revealed-in-greek-tomb-photos-140907.htm

STONEHENGE TREASURES MADE BY CHILDREN EXHAUSTING THEIR EYESIGHT

Children as young as ten created the greatest treasures of the Bronze Age, exhausting their eyesight with microscopic gold studs and ultra-fine craftwork, new research suggests. Ornate jewellery and intricately decorated daggers, known today as the Stonehenge treasure, were unearthed in 1808 from a burial mound known as Bush Barrow near the iconic monument. The burial contained the skeleton of a clan leader who lived almost 4,000 years ago. He was laid to rest in regal splendor with the objects that showed his power and authority. On his chest was a gold lozenge that fastened his cloak and would have glinted in the sun, while a bronze dagger adorned with an intricate design hung from his belt.

Now on permanent display at the Wiltshire Museum in Devizes, 15 miles north of the megalithic stone circle, the Stonehenge treasure was re-examined as part of a BBC documentary. On this occasion, experts considered for the first time the human cost of Bronze Age micro gold-working. The ultra-fine craftwork was produced nearly 4,000 years ago — more than 1,000 years before the invention of any form of magnifying glass — and entailed extremely tiny components such as microscopic gold pins and gold wires. “Only children and teenagers, and those adults who had become myopic naturally or due to the nature of their work as children, would have been able to create and manufacture such tiny objects,” Ronald Rabbetts, one of the Britain’s leading authorities on the optics of the human eye, said.

The handle of the Bush Barrow dagger was originally decorated with 140,000 tiny studs, each thinner than a human hair. They were set into the wood at a density of over 1,000 per square centimeter to create a zig-zag pattern. “The size of the studs clearly shows they are too small for adults to have made and set into the dagger handle,” David Dawson, director of the Wiltshire Museum, told Discovery News. He estimated the entire operation to produce the dagger’s intricate decoration, from wire manufacture and stud-making to hole-making and stud positioning, would have taken at least 2,500 hours to complete and would have left the workers almost blind. Today only fragments of the original wooden dagger handle survive.

“The Bush Barrow dagger is far and away the most intricate, but the numbers suggest that the daggers were made in Brittany — where there are also sources of gold. Metal ingots were traded across the English Channel, but the dagger may have been a gift from one chieftain to another,” Dawson said. Within five years, the child workers’ eyes would have deteriorated, rendering the child very short-sighted. By the age of 20, many of them were likely almost blind, seeing anything more than 3 feet away as just a blur.


http://news.discovery.com/history/archaeology/stonehenge-intricate-treasures-made-by-children-140919.htm

CAVE PAINTINGS DISCOVERED INDONESIA ARE OLDEST IN THE WORLD

Hand painted art in an Indonesian cave dates to at least 39,900 years ago, making it among the oldest such images in the world, archaeologists have recently reported in a study that rewrites the history of art.

The discovery on the island of Sulawesi vastly expands the geography of the first cave artists, who were long thought to have appeared in prehistoric Europe around that time. Reported in the journal Nature, the cave art includes stencils of hands and a painting of a babirusa, or "pig-deer," which may be the world's oldest figurative art. "Overwhelmingly depicted in Europe and Sulawesi were large, and often dangerous, mammal species that possibly played major roles in the belief systems of these people," says archaeologist and study leader Maxime Aubert of Griffith University in Queensland, Australia.

The finds from the Maros cave sites on Sulawesi raise the possibility that such art predates the exodus of modern humans from Africa 60,000 or more years ago. "I predict that even older examples of cave art will be discovered on Sulawesi, and in mainland Asia, and ultimately in our African homeland," says human origins expert Chris Stringer of the Natural History Museum in London, who was not on the study team.

Since the 1950s, scholars have reported hundreds of hand stencils and images of animals in caves on Sulawesi, which were assumed prehistoric but thought to be no more than 12,000 years old, dating to a hunter-gatherer migration to the island. In the new study, the researchers investigated mineral layers less than 0.4 inches (10 millimeters) thick covering images in seven caves, and in some cases sandwiching them. Trace amounts of radioactive uranium in these mineral layers reveal when water carried the minerals over the cave wall. Finding the ages of these deposits narrows down the time when the images were painted. The age discovered for the oldest hand stencil in the cave—39,900 years old—is therefore merely the minimum age of the minerals coating the image, meaning the art could be thousands of years older.

A red disk painted in Spain's El Castillo cave is at least 40,800 years old according to the same dating method, making it the oldest known cave art, and a hand stencil there is 37,300 years old. The Sulawesi cave paintings rival these finds in age and appear to belong to a tradition that persisted there as recently as 17,000 years ago. "We've been shown here that our views have been too 'Euro-centric' about the origins of cave painting," says archaeologist Alistair Pike of the University of Southampton in the United Kingdom. "Absolutely this changes our views, and is going to make us ask a lot of questions about the causes rather than the origins of cave art."

The newly discovered cave painting suggests that art may have been universal among early modern people, including those who left Africa and traveled across southern Arabia to Indonesia and Australia within the past 50,000 years.Cave art may have left Africa with early modern humans, the study authors suggest, or possibly it sprang up independently among different groups. The earliest examples of other kinds of art are even older, such as decorative perforated shell beads and pigments that date to more than 75,000 years ago.


http://news.nationalgeographic.com/news/2014/10/141008-cave-art-sulawesi-hand-science/


Sunday, October 12, 2014

VISITING ROME? HOUSES OF AUGUSTUS OPENING TO THE PUBLIC -- SIGN UP FOR THE TOUR

Lavishly frescoed rooms in the houses of the Roman Emperor Augustus and his wife Livia are opening for the first time to the public after years of painstaking restoration. The houses on Rome's Palatine hill where the emperor lived with his family are re-opening after a 2.5 million euro ($3.22 million) restoration to mark the 2,000 anniversary of Augustus's death -- with previously off-limit chambers on show for the first time.

From garlands of flowers on Pompeian red backgrounds to majestic temples and scenes of rural bliss, the rooms are adorned with vividly colored frescoes, many in an exceptional condition. Restorers said their task had been a complex one, with bad weather during excavation threatening the prized relics of a golden era in the Eternal City. "We had to tackle a host of problems which were all connected, from underground grottos to sewers -- and I'm talking about a sewer system stretching over 35 hectares (86 acres)," Mariarosaria Barbera, Rome's archaeological superintendent, told AFP.

To protect the site, tourists will have to book to join one of three daily groups of up to 20 people who will be taken around by a guide for a 15-minute visit. Cinzia Conti, head restorer, said the plan was to allow people to enjoy "a more intimate, more attentive exploration of Augustus's spaces." It will also mean "we restorers can keep an eye on and evaluate the consequences of the public walking through, for example the dust on their shoes and especially their breath," she said.

Augustus's decision to build his "domus" near a grotto where Romans worshiped Romulus -- one of the twins who legend has it founded Rome -- was no coincidence. A man of power The complex was intended to symbolize not only his power but that of his wife and adviser Livia, who is said to have wielded great influence over him and went on to play an important role in Roman politics after his death.

"Looking at the houses, the buildings he had built, we understand he was a man of power, of great strength, who knew what went into making a political man at the head of such a big empire," Conti said. The frescoes in Livia's house in particular are one of the most important examples of the period's style, according to Barbera.

The founder of the Roman Empire was born Caius Octavius in 63 BC on the Palatine hill. The great-nephew of Julius Caesar, he was adopted as his son shortly before the latter was assassinated. Caius Octavius went on to rule over Rome for 40 years, during which the Republic experienced an era of great wealth and relative peace. Livia, the love of his life, was his third wife, whom he married when she was pregnant with her first husband's child. He adopted the baby, Tiberius, who would succeed him after his death. Augustus died aged 75, after which the Senate raised him to the status of a god and appointed Livia his chief priestess. As part of the 2,000 year celebrations, the Palatine Museum has dedicated a room to Augustus with objects connected to his life on show.

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SHRINES, STATUES, MOSQUES, TOMBS AND CHURCHES ARE BEING DESTROYED BY ISIS

Tracking the cultural treasures of Syria and northern Iraq has become a heartbreaking task for archaeologists and antiquity scholars. And the list of destroyed, damaged or looted works has only grown longer as the Islamic State, also known as ISIS, which seeks to create a caliphate, has pushed into northern Iraq. Sunni extremists like the Islamic State and others are deliberately wrecking shrines, statues, mosques, tombs and churches — anything they regard as idolatry.

“This region has been the center of the world for every great empire recorded in human history,” said Candida Moss, a professor of New Testament and early Christianity at the University of Notre Dame. “We are talking about successive generations of history all in one place, all being destroyed at once.” In a speech at the Metropolitan Museum of Art in late September, Secretary of State John Kerry promised action. “Our heritage is literally in peril in this moment, and we believe it is imperative that we act now,” he said. “We do so knowing that our leadership, the leadership of the United States, can make a difference.”

But over the last three years of war, international groups have come up against the limits of their power and ability to intervene in a conflict that has killed tens of thousands. In several cases, the security of many antiquities has largely been left up to nearby residents, many of whom have taken huge risks to defend their cultural patrimony. Beyond trying to confirm the losses, antiquities guardians around the world are asking themselves this question: Is it better to raise the alarm about what’s in harm’s way — or keep quiet to avoid the militants’ gaze?

The question of what has been destroyed has few complete, sure answers, scholars say. The chaos of war has prevented a full accounting, and the Islamic State often issues false reports to exaggerate its conquests, while other groups may do so to draw international sympathy. But the State Department and officials in the Syrian government are trying to document the damage. And networks of scholars, from the West, Iraq and Syria, have studied satellite photographs and kept in touch with museum curators, archaeologists and others, by unreliable phone lines and email messages. “I find it so upsetting that I don’t always open these because it is too much,” said Sheila R. Canby, curator of the department of Islamic art of the Metropolitan Museum.

For many experts, the biggest catastrophe is in Aleppo, an ancient trading terminus and Syria’s largest city. Fire gutted most of the central souk, a vast and vibrant labyrinth of 17th-century shops, storehouses and ornate courtyards. It was the city’s commercial heart, important for understanding how people have lived since medieval times.
Fighting between Syrian government and anti-government forces damaged the Great Mosque in Aleppo, one of Syria’s oldest, burning its library containing thousands of rare religious manuscripts. Its famous minaret, which had stood for a thousand years, was toppled. Aleppo’s iconic citadel, one of the world’s oldest castles and an excavation site, built on a massive outcropping of rock, was also a target. It has been used by government forces as a base and was hit by rockets. Western experts are uncertain what has happened to a recently uncovered Bronze Age Neo-Hittite temple there.

Farther south, the war has damaged the Crac des Chevaliers, one of the world’s largest and best-preserved Crusader castles, a wonder of medieval engineering and a monument to the crossing currents of European and Islamic civilizations. As in Aleppo’s old city, much of the damage has been caused by the government’s decision to shell rebel positions, though repair work has begun, experts say.

Some of the widespread looting of Syrian archaeological sites may have been carried out or encouraged by the Islamic State or by broader criminal networks, but both government forces and the militants appear to be benefiting.

One of the most stripped places is Apamea in western Syria, which had been one of the largest and best-preserved Roman and Byzantine sites in the world, with a colonnaded street and famed mosaics. With all the looting pits, it now looks like the surface of the moon, according to experts who have viewed aerial images.“It has taken them four or five months to strip Apamea,” said Emma Cunliffe, a heritage consultant specializing in Syria. “There are lots of looters with earth-moving machines.”

Even more serious, perhaps, is the looting at Dura-Europos in eastern Syria. Founded on a plateau high above the Euphrates River, it was a fortified outpost of the Roman empire, and has yielded a cross-cultural trove of archaeological wealth, including a third-century synagogue and one of the oldest examples of a Christian “house-church,” an early form of church architecture. As with many of Syria’s archaeological sites, much of Dura had barely been explored.

But for all the looting damage, nothing scares scholars more than the Islamic State militants. “The speed with which they are moving into Iraq is really like the Mongols,” Ms. Canby of the Metropolitan Museum said. “It is brutal.”The Islamic State and other extremists are motivated by the idea of punishing “shirk,” or idolatry. As a result, they have smashed Shia and Sufi sites, statues of poets, Mesopotamian relics from Assyria and Babylonia, and Sunni shrines that are outside the bounds of their narrow beliefs. The destruction is also useful propaganda, proving their power, advertising their ideology and attracting international attention.

“ISIS uses heritage explicitly, tying it into history, providing a back story for itself and showing it is part of this massive unstoppable force to appeal to young fighters,” said Michael Danti, an archaeology professor at Boston University and co-director of the American Schools of Oriental Research Syrian Heritage Initiative, a project financed by the State Department that monitors sites at risk.

In this ideological war, extremists have attacked churches in the ancient Christian town of Maaloula, one of the last places where Aramaic, the language of Jesus, is still spoken; and damaged artifacts in Raqqa, an early Islamic city in northern Syria and an Islamic State stronghold, where they wrecked a statue of an Assyrian lion from the eighth century B.C. They have publicized the destruction in their own glossy magazine, Dabiq. Last month, they destroyed an Armenian church in Deir al-Zour, a city in eastern Syria.

In and around Mosul in northern Iraq, the militants have destroyed scores of smaller Sufi and Shia shrines, tombs, mosques and Ottoman period buildings, said Lamia Al-Gailani Werr, an Iraqi archaeologist living in London. As they have persecuted Christian and Yazidi communities, they have removed a cross from the historic St. Ephrem’s Cathedral, destroyed a statue of the Virgin Mary and prompted refugees to “carry with them traditions and books we don’t know much about,” Mr. Jones of Penn State said.

What may be the most significant cultural casualty of its Iraqi campaign so far is a mosque, destroyed in July, that held what was believed to be the tomb of the biblical prophet Jonah, whose story is part of Christianity, Islam and Judaism. Jonah’s mosque, which had never properly been studied, had a medieval core with additions through the centuries, Ms. Werr said. Its minaret, for example, was built in 1924, she said. But the site, in the Nineveh section of Mosul, sat on a high mound that includes the remains of a Christian church and, beneath that, an Assyrian temple and palace.

BRITISH MUSEUM CURATOR POSTS ANCIENT ART ON LINE

I am currently looking at 25,000 objects from the Museum’s collection on my desk. These fantastic works detail an important part of human history in Africa and range from beautiful bas-relief cattle to stunning painted representations of women dancing.

Yet these items are not from the Museum’s storage facilities: they are saved on a hard drive, as part of the African rock art image project. The project team is cataloguing and uploading these 25,000 digital images of rock art from throughout the continent, so each one of them is being registered into the Museum’s collection as an object in its own right and made available through the Collection Online. Click on British museum Galvin's Collection on line to see the amazing collection.


Elizabeth Galvin, curator, British Museum

ANCIENT TOOL MAKING EVOLVED IN DIFFERENT PLACES/CONTINENTS GRADUALLY AND INDEPENDENTLY

The so-called Levallois technique — which early humans used to make knives and other instruments by flaking off bits of stone — was long thought to have originated in Africa 500,000 to 600,000 years ago, then taken to Eurasia as part of an exodus from Africa. Now a study in the journal Science throws the second part of that assumption into doubt, suggesting that the technique evolved independently on each landmass — and, more broadly, challenging the notion that the movement of ancient humans can be tracked by the tools they used.

Levallois tools and less advanced ones, like hand axes, are almost never found together, so scientists thought that one type of tool replaced the other as the migrants moved north. But archaeologists working in Armenia have now unearthed Levallois tools in the same layer of soil as hand axes. The most likely conclusion, the researchers say, is that the Levallois method was not taken to Eurasia by African migrants, but evolved there gradually and independently.

Either that, or “you have two different groups of hominins with two totally different toolmaking traditions occupying the same landscape at the same time yet never intermixing,” said the study’s lead author, Daniel Adler, an anthropologist at the University of Connecticut. “We don’t find evidence for that sort of thing anywhere in prehistory.”

“Ancient humans from this time period were very technologically variable,” he went on. “They could make all kinds of different stone tools when they needed them. They weren’t just locked into making one kind.”

Saturday, October 11, 2014

MUSEUM OF HUMAN EVOLUTION IN BURGOS, SPAIN, HAS ADDED NEW SCULPTURE OF HOMO ANTECESSOR TO OTHER RPRODUCTIONS SHOWING HUMAN EVOLUTION

The Museum of Human Evolution (MEH) in Spain has presented the new sculpture of Homo ‘antecessor’, made by the French paleo-artist Elizabeth Daynes, which has been added to another nine reproductions of many other species that represent the long and complex road to human evolution, represented in the Hominid Gallery of the Museum.

This new sculpture arrives four years after the inauguration of the Museum and has been made by the same author of the other figurines in the Gallery. The sculpture of the antecessor’s head is based on the jawbone ATD6-69, which belonged to a boy or girl of approximately 10 years. This fossil was complimented with a frontal bone (ATD6-15), which might have been from the same individual; both provide a very plausible idea of the facial aspect of the adolescent Homo antecessor.

To compliment these bones, they added the left mandible ATD6-96 of a very young woman. With this data, and the drawings made by Mauricio Anton (sketcher and anatomist), they have been able to reconstruct the head of the Homo antecessor. Also, scientific work in this area allowed investigators to find out that the face of this new species is very similar to ours. The size of the brain and the cranium’s head are still a mystery. However, employing indirect measurements of the frontal bone, investigators were able to find out that the cranium held a brain superior to 1000 centimeters cubed.

The following step was sculpting the body of said adolescent and finding out his stature and proportions, which was resolved with the aid of finely conserved remains of the post cranial skeleton and investigations developed by the team, and thus allowing the artist to get a clear idea of the stature, robustness, characteristics of its extremities, and the cranium’s shape.

The final result is the sculpture that is shown today, precisely in the 20th anniversary of the discovery of the Homo antecessor in the Gran Dolina de la Trinchera de la Sierra de Atapuerca site by Aurora Martin, MEH coordinator. Elizabeth Daynes is an international artist, presented as a paleo-artist or pre Historic sculptor. Her passionate work consists of “finding the identity of men in the past” through the found fossil remains, direct contact with investigators and using forensic techniques. This allows her to make sculptures of significant realism without losing the scientific rigor, thanks to distinct artistic differences such as: using silicone, natural hair and false eyes and such. Her reconstructions can be found in many international museums.

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Tuesday, October 07, 2014

ANTIQUITY LOOTERS IN THE NORTH OF GUATEMALA DESTROYING THE SITE

Deep in the jungle in the north of Guatemala, along deep-rutted 4x4 tracks, the pyramids of the great Maya city of Xultún are hidden under heavy vegetation and oddly symmetrical hills. But crudely cut tunnels in the sides of the hills signal a modern intrusion. The tunnels are the work of "huecheros"—the local slang term for antiquity looters, derived from the Maya word for armadillo. On a building overlooking an ancient plaza, the looters scrawl a message, brazen and taunting: "We, the huecheros, stuck it to this place."

Almost every pyramid in the sprawling site has a looter's tunnel on at least one side. Most of the hieroglyphic panels, the pottery, and the jade from tombs here have been raided and sold on the black market to wealthy foreigners. One of the tallest pyramids—a majestic building that slices high in the air like the Temple of the Great Jaguar—was actually cut in half by looters, making it look like a giant stone napkin holder.

Xultún is part of an international trade in Maya antiquities that spread across much of the region in the 1980s and '90s and has scraped away what little opportunity was left to modern scientists to understand the people who once lived here. This amputation of cultural history—in many ways stretching back to the conquest of the New World—has left us with far more questions than answers about the Maya. Looting continues to this day, though at a lower rate. Meanwhile, archaeologists, philanthropists, nongovernment organizations, and other leaders are grappling with the fallout from the country's cultural heritage being plundered for decades.

Excavation of the Los Arboles structure at Xultún uncovered numerous painted sculptures. Xultún is not alone, nor is it terribly unusual. The Mesoamerican antiquity trade goes back almost to the Spanish conquest. In the beginning, Maya sites were spared from looting because they were mostly unknown, but by the 20th century archaeologists were working in the region and uncovering beautiful cities in southern Mexico and Central America. This continued until the 1970s and '80s, when civil strife forced the scientists to abandon the sites. The workers they left behind, now expert in locating ancient tombs, turned to the only work they had left to them—raiding untouched sites for things to sell on the black market.

It takes about four hours to get to Xultún from civilization. From Flores, a small tourist city on Lake Petén Itzá, the road starts out on pavement but quickly turns to gravel, then dirt roads, and then muddy 4x4 tracks.