HAIR IN THE CLASSICAL WORLD: OPEN TO THE PUBLIC UNTIL DECEMBER 18, 2015
Bellarmine Museum of Art at Fairfield University has just opened a fascinating new exhibition with the theme of “Hair in the Classical World.” On display in the gallery are an assortment of objects and images from the Bronze Age through late Antiquity, including a diverse array of sculptures and, of course, coins. As the introduction to the exhibition notes, hair is particularly “resonant of cultural identity,” and the way that it was styled and sported in antiquity served a variety of different purposes. Among other things, hairstyles signified social position, served as a medium of cultural exchange, and played an important role in various rituals and rites of passage.
One of the most compelling aspects of the exhibition is its manifest interdisciplinarity. Any consideration of hairstyles must necessarily draw upon a wide range of material, historical, and visual sources, and the interpretation effectively mixes insights from archaeology, art history, and cultural studies. As everything from the intricate hair pins on display to the careful texturing and arrangement of hair on the statuary suggests, hairstyles were an important means of self and artistic expression in the classical world.
A significant inspiration for the exhibition was the Caryatid Hairstyling Project, which employed a professional hairstylist and student models in an attempt to replicate the elaborate hairstyles on the famed marbles of the Erechtheion. A short film of that project is on view as part of the exhibition. While all of this might give the impression that the focus is exclusively on women, there is also material reflecting on men’s hairstyles, which at times were as elaborate as those that adorned women. Braids were one style common to boys and girls in ancient Greece. Grown out along the central part, the braid was ritually cut and dedicated to the goddess Artemis when entering adulthood.